3 R&B chord progressions every producer should know
Every genre has those chord progressions you hear time and time again. I call them foundational chord progressions. Chord structures every student of the genre must know.
In this post, I’m going to show you three such R&B chord progressions that you can learn today. The chord numbers are written from the Major key perspective.
Contents
1. The Circle of 4ths
2 – 5 – 1 – 4 – 7 – 3 – 6 – (6)
ii — V — I — IV — viiø — III — vi — (VI)
Sometimes called “the circle of 5ths,” this chord progression is used in many genres, not just R&B. However, it’s the chord voicings we use (see below) that’ll give it an R&B vibe — which you’ll also hear in the examples provided.
The name derives from the intervals between each chord in this progression — they’re all a perfect 4th apart (or a perfect 5th if you count down the keyboard instead of up). It’s basically a bunch of 2-5-1 chord progressions strung together — and apart from it being a fantastic chord progression, this is why you should learn it.
Some of my favourite songs that use this chord progression include H.E.R. – “Uninvited”, Kandi – “Don’t Think I’m Not”, and Muni Long – “Words”, which I’ve transcribed below.
2. 90s Throwback
4 – 3 – 6 – 5 – 1
IV – III+ – vi – v – I
I’m calling this second chord progression “90s Throwback” because of its prominent use in the decade — think Ghost Town DJ’s “My Boo”.
But more importantly, it speaks to the chord movement from the Major 4-chord to an Augmented 3-chord. It’s this movement that gives this chord progression its distinct sound, creating a beautiful tension that resolves on the 6 chord. You’ve also heard it in songs like Brownstone’s “If You Love Me”.
From there, the chord progression flows from the 5 to the 1, throwing us right back to the beginning, starting on the 4-chord. It’s the perfect chord progression for capturing that 90s vibe as Justin Bieber did in “Right Here”, likewise Ciara with “Body Party” – which I’ve transcribed below.
3. Downward Turnaround
2–1–7–3–(#4)–(#5)
ii — I — viiø — III — (♯iv) — (♯v°)
Yes, I’m making up these names now, but it’s to help you remember. This chord progression is the perfect R&B chord progression for transitions — it sounds great at the end of an 8 or 16-bar loop that begins on the 6-chord. I created a whole video on it if you’d like to dive deeper.
However, this chord progression starts on the 2-chord, which creates a lift that’s followed by an emotional and climactic downward progression resolving with a 7-3-6 movement.
Songs that use this chord progression include Elmiene – “Marking My Time”, Mary J. Blidges – “Empty Prayers”, and Sasha Keable – “Hold Up”, which I’ve transcribed below. (The sharp 4-chord and sharp 5-chord are optional passing chords.)
Helping you find the chords & sounds to write your best R&B music.